[Flying III] suggests that the stone floats gently by its surface tension, as if it defied gravity, showing the power of air pressure to the surrounding space and moving forward in a brisk and spreading fashion.
|Chen Yung-Hsien, Art Critic
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After converting to mixed media, Tsai Ken gradually formulated his philosophy of artistic creation which “starts with materials.” He tried to make harmonious arrangements among different materials, such as combining and juxtaposing linear materials (e.g. wire and metal threads) with solid objects (e.g. metal blocks, stone, and wooden blocks). Meanwhile, he found an alternative way to install his works in the exhibition venue. Instead of being installed stably in the venue, the works either extended upwards or leaned against a corner. According to art critic Chen Yung-Hsien, “Tsai Ken consciously breaks with the traditional way of viewing and reconsiders the shape and order of objects, thereby making the form and the exhibition space echo each other. The viewer gets a harmonious visual experience by moving, caressing, and breathing through the rich layers of the works.”